In my previous post, we looked at the lessons writers can learn from successful movie loglines, to help us plan (and pitch) our own work. But if the whole point of a logline is to convince a funder to cough up the cash, a better measure of the logline itself (as opposed to the film as a whole) might be to examine those loglines which were successful in attracting major funding.
Continue reading “More Lessons from the Biggest Movies”